teaching sewing confidence, tip by tip
Showing posts with label Bias Tape Makers. Show all posts
Showing posts with label Bias Tape Makers. Show all posts

Saturday, 4 May 2013

Bonzer Trunk Show - Up Close With Sarah Fielke's 'hand quilted with love' Quilts

Sarah Fielke chats about her 'paint by numbers' quilt from her new book 'hand quilted with love'

There was a buzz around Manhattan on Thursday night this week, Sarah Fielke was in town and we all gathered at the Art Quilt Gallery in Manhattan to see her Trunk Show for her latest book 'hand quilted with love'.

Under pressure, my attendance being the envy of several friends (particularly Sarah @Quilt Candy who told me about the trunk show before The Art Quilt Gallery even announced it!!!), I knew I had to report back.  Grabbing a seat at the end of the row so I could keep standing to get some great photos to share with you all, I snapped away - here goes, I hope I haven't let you down ;)


For the Trunk Show Sarah brought along a selection of quilts from her new book but obviously she couldn't squeeze all of them into her suitcase for the journey from Aus!  She also kept apologising for the quilts being in need of a good ironing, something I'm sure we can all relate to, however, none of us were there to look at whether or not her quilts were ironed, it's more about the how and why when we get a chance to see quilts we've only read about up close isn't it?!!!

Sarah tells us that she doesn't wash fabrics before using them, occasionally she might drop a small piece of fabric in a white cup of boiling water if she's a little doubtful about its dye fast hold, just to see what happens.  Sarah says that today's manufacturing methods should make fabrics dye fast but she recommends if you do experience a problem with a particular fabric that you notify the seller or manufacturer to make them aware.

Sarah often hand quilts appliqués (see CORRECTION note) in front of the TV at night - her tip is to use a silver, non acid gel pen to mark your pieces and quilts as it will shimmer in the light and although it won't wash out it will wear away while other colours of gel pen don't. CORRECTION at 5 May 2013: Sarah has left a lovely comment on this post and explains "I use the gel pens for hand appliqué, not for hand quilting. Please don't use them for marking your hand quilting lines, it won't come off and you will curse my name forever!"

 
 
Made with 100% cotton, high quality men's shirt fabric taken from shirt samples and bound with fabric cut from men's ties.  Sarah only ever used natural fibres - drills, linens, cottons, etc, she doesn't mind what fabrics she puts together within a quilt but she does want everything to be natural

Sarah's not a fan of the Clover Bias Tape Makers that I love (see my tute here) she prefers to make her bias strips using a Clover Hera Marker to score her seam lines then irons the seams into place and that's how she's made the teapot and cup handles in this amazing quilt.

 
Sarah's starting point for this quilt was the vintage grey and orange 'feed sack' fabric around the centre and the quilt grew from there.  She doesn't design her quilts on paper but prefers to use her design wall to audition different colours and sections until she finds what's right.  Unused sections are often pieced together later into baby quilts.

Never having made a jelly roll or solid quilt, Sarah felt challenged by comments from her blog readers to take the plunge and here's the outcome.

Here're all the other snippets of info I can remember that Sarah shared with us:
  • Sarah stores her fabric by colour in a bookcase that her husband built around and over her door in her studio.  She keeps stripes and dots separately along with the small animal prints that she includes in every quilt she makes.
  • A novice quilter about to take her first class asked for Sarah's advice, Sarah suggested that she shouldn't follow the rules.  She said to learn the foundations so you can make a quilt well but to follow your heart and your own ideas and not to listen to those who tell you how quilting 'has' to be done.
  • Art Quilt Gallery owner, Dale, asked Sarah what she thought the main differences were between quilting in Australia and the US.  Sarah thought it was probably the use of colour, bright colour and particularly the use of bright colour that isn't combined with white.  She wondered if this was influenced by the quality and amount of light and sky in Australia.
  • Sarah's machine quilting is all done by Kim Bradley.
  • As Sarah is making her quilt top she has a plan in mind for her hand quilting and she irons all her seams according to where she will be quilting.  These days she likes straight line hand quilting to enhance the piecing rather than a detailed pattern which adds to the design and possibly detracts from it.


Sarah signing my copy of her latest book 'hand quilted with love'

 

And finally, me with Sarah

 As she left NYC to fly back to Australia, Sarah posted on her blog 'the last piece' and she said that she'll be posting a podcast of her Trunk Show soon - when she does I'll share it on my facebook wall so you can catch it.



For details of other fabric, yarn, trim and notion stores that I've visited around the world along with the NYC stores I love, exhibitions and events I've attended and wonderful people I've been lucky to meet click the links below or in my sidebar :D



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Monday, 4 March 2013

Strip Sashing My QAYG: The Something NEW Sampler: Completed

and here it is
 
my finished Something NEW Sampler Quilt



The first thing I did was try a few colours for the sashing deciding on Kona Robin Egg; here are my ideas and thoughts:

 I haven't done QAYG before, so I read some posts and watched some videos online and then I thought about it all for a day or so. I couldn't get to grips with how the blocks would actually be joined. It seemed that the batting would remain in separate pieces - it would be butted up to itself, but it wouldn't be physically joined. This worried me; in fact, it bothered me a lot, so I decided to ignore everything I'd read and seen and join the blocks together in my own way.

And here's how I did it:

I cut the 10 blocks to size and then zigzagged each row of blocks together - so 5 sets of 2. I didn't worry whether or not the zigzag caught the top and backing fabric. I knew this would all be enclosed in the sashing strips anyway - the objective here was purely to join all the batting and create a solid quilt from the 10 blocks.

a zigzagged top join
Two zigzagged rows - you can see on the top left that the quilt top hasn't been caught into the zigzag stitch.
Now I need to cover each of these short joining seams. I decided that there was so much stitching already visible on these blocks that an additional row of straight stitching wasn't going to 'spoil' the look of the finished quilt - also, I really wasn't up for hand stitching all these joining strips into place.

For the quilt back, I cut each strip 1.5" wide, folded it in half, pressed it, then opened it out and folded each outside edge in to touch the central pressed line and pressed again. The photo below shows a folded and pressed finished strip, and a narrow strip is sewn into place. The width of this strip, when pressed and finished, is 3/4". I then straight line machine-sewed both edges of this strip onto the back of the quilt using a 1/8" border along the joined zigzag seam to cover the join. The two stitching lines showed through on the quilt top, but these would be covered on the top side by the broader strip that I added next.


For the quilt top, I cut 2" wide strips, which I again folded in half, pressed, opened, folded the edges into the central line and repressed. This gave me a finished 1" strip which I sewed along the zigzag seam on the top of the quilt to cover the join. As this strip was 1/4" wider than the backing strip, it covered the stitch lines easily. Again, I stitched 1/8" from both edges.
And that's how the finished top strip looks.
 Here's a look at the quilt back so you can see how the stitch lines show through from the front joining strip (one of the stitch lines is the straight line on the circle fabric just below the blue strip, and the other is totally lost in the stitching on the duck fabric):
 
I don't know about you, but I can live with those extra lines of straight stitching rather than doing lots of hand stitching on this quilt, and after all, this quilt is all about machine stitching.

Next, I zigzagged each row of 2 blocks to the next row.

Here are all the blocks zigzagged together - Quilt Top

and Quilt Back
At this stage, I realised that I hadn't needed to add the joining strips a row at a time using my method. I could much more easily have added one long joining strip to the back and then the top, and this would have ensured that the stripline ran much straighter down the length of the top and the back.

Since joining the blocks, I've been told by my friend Annette, who does a lot of QAYG quilting, that there is a QAYG method where you can add the joining strips from the back of each strip using a zigzag stitch that joins the blocks together securely and the machine stitching isn't visible from the front. This method sounds great, but I didn't come across it on the internet (if anyone knows where I can find a tutorial, please let me know) - all the methods I saw used straight stitch only.

By now, I'd also had enough of pressing the strips and remembered a tool that my quilt tutor, Christine Janove, had shown me a year or so ago, Clover Bias Tape Makers. These great little tools make bias strips, which basically is what we are making to cover the joins on a QAYG quilt, and they are so straightforward and quick. I was straight down to my LQS and purchased a red 3/4" and yellow 1" (NB: the measurement for each tool is the width of the finished bias tape it makes, not the original fabric strip width).

Here's how they work for anyone who hasn't seen these before. The remainder of the job was done in a couple of minutes.
Feed-in the fabric strip
The fabric comes out at the other end perfectly folded in half with a central seam.
Pull the handle on the tape maker to move it along the fabric and follow with a hot iron over the folded fabric pressing the folds into place.
It takes seconds!!!




So all that was left to do was add the horizontal seams, square up the quilt, and machine bind it, and here it is:

and here's some behind the scenes shots of my faithful quilting assistant
Tatty straightening the quilt ready for the photoshoot
Tatty says, "That's A Wrap."



Not sure what I'm going to do with the quilt now - it's not a snuggly, cuddly quilt; two of the blocks are pretty thick, making them less flexible - Cathedral Window and the Folded blocks. It lends itself more to being a play mat or wall hanging; Flicky says it looked like a bath mat, and today when I had it rolled up to take out for the shoot, it looked rather like a beach mat. Maybe I should give it to Tatty; she seems pretty happy lying on it; what do you think?

I've had a complete blast taking part in The Something NEW Sampler blog hop, I've learnt loads, made new friends, and it's been lots of fun. I'd like to say a huge thank you to Amy, Heidi, Chelsea, Jess, Lindsay, M-R, Heidi, Alyssa and Becky for their excellent tutorials and an extra-special thank you to Amy @the cute life for organising the Hop and Flickr group.

Thanks, everyone :)
You can follow The Something NEW Sampler on Flickr.

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