Do you think when you find a draft blog post that's almost 12 months old it's too late to post it?!!! If I didn't own up to it you'd probably never have realised but some of my fellow NYC Metro MOD Quilt Guild members might so I thought I'd better 'fess.
What the heck, with all my travelling this year there's not been a whole lot of sewing going on and the post includes a technique I came up with to make a scrappy quilt from orphan blocks. You might enjoy seeing it so here's the post anyway, lol.
Sunday, 7 December 2014
Went to the December meeting of the NYC Metro Mod Quilt Guild yesterday and there so much to update you on:
Here's what a table of them looks like - that's going to be one great charity quilt.
Then there was the holiday fabric swap, my bundle went home with Ellen
and this is the bundle I received from my friend Karen,
I also brought this bundle from Timeless Treasures home with me that I won in the raffle - thanks, Hayden :D
As if that wasn't enough, remember my low volume block for the block lotto?
Well I only went and won the block lotto too so these 16 blocks came home with me which brings me on nicely to my
Orphan Block Scrappy Quilt Technique:
Orphan Block Scrappy Quilt Technique:
Truth be told these blocks weren't exactly what I had in mind when I decided to take part in the Low Volume Block Lotto - I was thinking white, off-white, cream, beige, pale grey and there're quite a few colours in these that are screaming quite loudly and could do with turning their volume down but that's what I won so I sewed them together into a quilt top.
I tried the blocks every way around yet they really just don't work together.
The first problem as I see it is there's no commonality amongst the blocks, no one element pulling them all together - be it a fabric print, colour or design element. The second is the huge difference in everyone's understanding of the term 'low volume'. Those things said I want to find a way to make these blocks work.
The first problem as I see it is there's no commonality amongst the blocks, no one element pulling them all together - be it a fabric print, colour or design element. The second is the huge difference in everyone's understanding of the term 'low volume'. Those things said I want to find a way to make these blocks work.
Two ideas: the first to bleach them to bring the colours down to a common palette - this was actually suggested to me by my friend Ivete of Gotham Quilts and an idea that I really favoured until I inspected the blocks further. I'm pretty positive not all the blocks are made from 100% cotton so bleaching them is risky as some sections may not be affected by the bleach and could retain their original colour.
Idea #2 to slice the blocks up in some haphazard fashion, sew them back together again then repeat the process over and over until I'm happy with how the quilt top's looking. I feel bad to cut up everyone's work but I think it's the only way to disperse the colours throughout the quilt top and break down the way each of these blocks currently stands alone.
So I cut the quilt top into 16.5" blocks
played around with the layout
then I sewed them together again into a new quilt top and immediately cut that up too into 8" blocks - I had to add a small strip of cream to cut the last 8" block to size.
Again I now played around with the layout. By this time, with all my seams and slivers of scrap wastage, I'm short 2 blocks worth of fabric
so I removed my 3 least favourite blocks and sewed the remaining 25 blocks up into a lap quilt that's (5 x 5) 8" blocks - finished quilt size 38" x 38".
Nov 2015 update - The quilt now actually measures 36.5" x 37" and as I'm typing this a year on I have no recollection of why I've trimmed it down so far along the top and bottom edge but those are pretty obviously not squares any more in the pic above - I guess it was the only way to come close to squaring the quilt up at the time but I don't recall. The quilting will have pulled the finished quilt size in some and additionally the quilt's been washed many times now and I leave it crinkly (see pic below) so that'll account for some shrinkage too.
The quilting's freehand straight line at varying intervals and this is a close up of one of my favourite parts of the quilt - handsewn hexies, when I was cutting down my blocks I did make sure I kept these in pretty good shape/large pieces for the finished quilt top
On the back, I used a bright button fabric that has lots of the same colours in it that are in the blocks on the front -
it adds a surprising pop of colour as does the intense coral solid binding that I've machine sewn on using a blanket stitch.
This style of improvised scrappy quilt isn't for the faint-hearted. Pitty the perfectionist as with all those seams and biased cuts there's hardly a straight line and squared corner to be seen and it's certainly not an easy decision to cut up perfectly good blocks especially when they're made/donated by someone else and harder still when you know that person. As you can see the finished quilt is angled too but this isn't something you'd ever notice in daily use.
So which do you prefer? Is a quilt that's used preferrable to a pile of 16 blocks? Could you push yourself this far out of your comfort zone?
If you've got a pile of blocks and you don't know how to make them work together why not try this technique - you've no idea how it'll turn out but it's really fun finding out! Let me know how you go on :D
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